Public support for all of the arts is under threat in the wake of last November’s election. In this interview, which was conducted by phone in May, O’Hanian addresses the challenges facing both artists and arts organizations in the current political environment.
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Queer ecology compels us to study ecological limits and the urgently needed social mechanisms of limiting. If we choose to limit, our behavior becomes a vital part of human ecology as we address climate and habitat change.
I am an Arab homosexual. I have a rough beard and it digs out moan after moan when grazing the asses of my lovers. In my native country, I am queer and flirting with danger.
Spaces like this one are (or were) open to all ages, which was great for younger folks who can’t get into nighttime gay bars; they hosted local activist groups and offered tangible solutions for change at the regional level; they cooked up fresh food for people passing through; put on clothing swap parties; and, most prominently, they gave a platform for Southern queer artists to perform.
THE 2016 ELECTION stands to have far-reaching effects on public policy affecting LGBT people and people living with HIV, both in the U.S. and abroad. It is in the area of health policy that the LGBT community and people living with HIV (PLWH) stand to lose the most.
EDMUND WHITE lived in Rome for most of 1970. It was his first time living abroad—Paris would come much later—and while his “Roman holiday” lasted less than a year, he included various episodes from his Italian stay in a number of his writings, including in memoirs, essays, and novels. Clearly his time in Rome left an impression, but it must be said that his recollections often have a negative edge when touching on Roman life in general and the gay scene in particular.
DAVID FRANCE’S HISTORY of AIDS opens with a memorial service for Spencer Cox, an ACT UP activist, to whom we come back in the epilogue. In between are approximately thirteen years of Hell. Although How to Survive a Plague pretty much follows the plot of the documentary film he released four years ago with the same title, the difference between the two is enormous. When the film came out, this reviewer wondered if a book would not give us more nuance, more insight into what people were really thinking in those ACT UP meetings we saw on screen. Well, here is the answer to that wish.
WE HEAR a lot about advances in HIV treatment, the use of Truvada or PrEP to prevent HIV infection for the sexually active, and the latest programs designed to promote safer sex. Largely unreported, however, has been a huge shift toward addressing “upstream” mental health issues—such as depression, substance abuse, or partner violence—because it has finally become clear that gay men who don’t feel good about themselves or their lives are less likely to protect themselves and more likely to take risks.
OVER THE PAST DECADE, we’ve seen a great deal of progress on HIV/Aids in the U.S. Data released by the U.S. Centers for Disease Control and Prevention in late 2015 indicate that diagnoses of HIV in the U.S. declined significantly over the last decade. … However, black and Latino gay and bisexual men actually saw an increase in HIV diagnoses of 22 percent and 24 percent.
By writing plays that call attention to the unreality of theater, Albee and Shaffer called attention to the inauthenticity of modern life: both how people are influenced by movies and commercials and how they fashion their sexuality to conform to socially celebrated norms. Relying heavily upon the conventions of Greek tragedy, plays like Albee’s The Goat and Shaffer’s Equus attempted to return theater to its ancient roots in which one wore a mask to deliver a primal authenticity that could not be enacted in everyday life.