Shields argues that Raisin in the Sun was so popular to audiences because it was an “old-fashioned” play that dealt with important social issues. Hansberry, however, felt frustrated that so many white critics and audiences missed the main point of the play, which was to challenge class oppression and capitalism. With mini-portraits of the figures and issues that shaped Hansberry’s thought, this biography sheds new light on a remarkable writer and intellectual.

            The essays in Willa Cather’s Pittsburgh look at the novelist’s creative incubation from idiosyncratic angles. They describe Cather’s work, connections, and ambitions as a young adult, and several neatly assess characters in her early fiction who disdain heteronormative expectations. The book’s notes are useful, though a brief chronology might make it easier to navigate these essays.