Browsing: Poetry

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BY WAY OF the complicated life of poet Countée Cullen and the influence of the Harlem Renaissance, an autobiographical meditation emerges from Kevin Brown’s combination of family recollections and literary essays: Countée Cullen’s Harlem Renaissance: A Personal History. This engaging narrative, nominated for a National Book Critics Circle Award, is structured in 24 essays that are initially focused on Cullen and other mid-20th-century Black writers, then weave in responses to Cullen’s work by Black artists and writers of the last forty years.

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A photograph of Lorde in front of a blackboard on which is written “Women are powerful and dangerous” has become a familiar, widely shared image. In response to attacks on Diversity, Equity, and Inclusion (DEI) and women’s and LGBT rights, the words of the self-described “Black, lesbian, mother, warrior, poet” have lately gone viral, turning her into an online superstar.

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Kuiper’s poems almost always address a person, but often the addressee is left unidentified.

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Love Is a Dangerous Word is both vigorous in its rage and intimate in its approach to what it means to be a queer man of color fighting for the simple right to love.

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Dual review of Super Gay Poems:  LGBTQIA+ Poetry after Stonewall and Archive of Style:  New and Selected Poems

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Alice Morgan Wright was one of these suffragists. She grew up in Albany, New York, and went on to become a sculptor, an advocate for women’s rights, and a leader of the animal rights movement.

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In her two new books, simultaneously published, Joy Ladin continues to engage us in both the depth of her experience and its expansiveness, offering us a reflecting mirror to our own queer selves in this intensely challenging time.

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PERHAPS there is no one as romantic, or as wistful, as a poet in old age. Likewise there is nothing that spurs a poet’s ruminations so profoundly as loss. Three new collections explore old age and loss in various ways (one in an almost uncategorizable way), each with varying degrees of effectiveness.

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Because My Body Is Paper contains undated work, it’s less about [Gil Cuadros’] evolution as a writer than about our experience of his deeply felt concerns: the pleasures and horrors of the body, the link between spirit and nature, the sense of meaning we can derive from carefully tended relationships.

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AS A POET AGES, he’s often faced with several choices. He can keep doing what he has always done, or he can, by seriously confronting himself, seek another voice. Jason Schneiderman has done the latter brilliantly in his new book, Self Portrait of Icarus as a Country on Fire. He reflects humorously on his life as a poet, often poking fun at himself and his poses. He wrestles with his Jewish heritage by taking on Stalin and the Holocaust, and then delves into the angst of gay divorce.

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