THE EIGHT-PART TV miniseries When We Rise, which aired earlier this year on ABC, documented nearly fifty years of the modern gay rights movement.
Article Categories Archives: Television Show
“WHAT WOULD XENA DO?” The question became a trademark of the syndicated TV series, Xena: Warrior Princess (1995–2001), highlighting the religious references that saturated Xena’s mystical universe.
Another new series, Netflix’ Grace and Frankie, charts the same fallout from the perspective of a gay man’s wife—make that two wives—whose husbands have left them for each other.
If Looking tells us anything about “the Zeitgeist,” it’s that Patrick and company freely resist the walking clichés that one has come to expect from prime-time TV.
From the Emmy-winning creators of Weeds, Orange Is the New Black has been described as The L Word meets Oz
EVERYONE’S ACCOUNT of high school is different. For the jocks, it’s a time of tiny triumphs, of touchdowns, and cheerleaders. For punks and goths, it’s the age of rebellion, while for nerds and other pariahs, high school is a penitentiary of social embarrassment. “High school is a caste system,” declares cheerleading coach Sue Sylvester (played by Emmy-winner Jane Lynch) on Glee, the hit television series now in its second season on Fox.
WITH THE DEATH of John Costelloe, the actor who played Jim “Johnny Cakes” Witowski on The Sopranos, fans of the landmark TV series (1999-2007) lost an important player in the show’s most gay-positive, and perhaps most crucial, story line. The 47-year-old actor and former New York City firefighter shot himself late last year in his basement bedroom in Brooklyn.
If one sitcom has repeatedly been cited for its groundbreaking treatment of gay characters by a mainstream TV network, it would have to be Will & Grace, NBC’s highly rated take on the lives of a gay man and a straight woman, best friends sharing an apartment in Manhattan. …
Reviews of of Collected Stories by David Leavitt, Original Youth by Keith Fleming, and Queer Eye for the Straight Guy by The Fab Five.
THERE IS a certain specific risk involved in writing this essay. The current mood in journalism and popular culture welcomes the lighthearted, the upbeat, the optimistic—especially where gay politics is concerned. This discussion of Queer Eye for the Straight Guy will seem quite dismal compared to the recent enthusiasm over the gayification of popular […]