In keeping with its name, Gently Down the Stream proceeds at a leisurely pace, but Gabriel Ebert’s hyperactive Rufus keeps the emotional narrative percolating.
Article Categories Archives: Theatre
Sweet Bird of Youth, however, is how sexual it is. … Cat on a Hot Tin Roof to Sweet Bird of Youth to even a one-act like “At Liberty”—though in a play that I see two nights later, The Milk Train Doesn’t Stop Here Anymore, that life force is nearly spent.
New faces emerged when in January 2017 a series of mosaics became part of the tiled walls of the 72nd Street Station at the new Second Avenue Subway. Vik Muniz’ Perfect Strangers was the transformation of photographs into life-size mosaics installed throughout the mezzanine and entrance area.
Reading this book, which is subtitled My Life in Stories and Pictures, is akin to sitting with Cumming as he leafs through his ever-growing scrapbook of accomplishments, loves lost and won, and collaborations with other name-brand stars.
By writing plays that call attention to the unreality of theater, Albee and Shaffer called attention to the inauthenticity of modern life: both how people are influenced by movies and commercials and how they fashion their sexuality to conform to socially celebrated norms. Relying heavily upon the conventions of Greek tragedy, plays like Albee’s The Goat and Shaffer’s Equus attempted to return theater to its ancient roots in which one wore a mask to deliver a primal authenticity that could not be enacted in everyday life.
WILLIAM FINN’S Falsettos, the AIDS-era musical now revived on Broadway, may be viewed by some as an odd period piece, by others as an operatic pastiche, a manipulative emotion-fest, or a stirring work of historical reconstruction. What may determine your response to the play—which shifts from 1979 to 1981 between two acts—is your willingness to believe in the musical comedy as a vehicle able to convey emotional truth rather than just cheap sentiment.
Edward Albee died on Friday, September 16th, 2016, at the age of 88. He passed away at his summer home in Montauk, New York, after a short illness. He was one of the most important and iconic American playwrights of the 20th century.
KIRK FREDERICK’S biography of “male actress” Charles Pierce (1926-1999), Write That Down, greets the eye with an iconic photograph of Pierce impersonating Bette Davis, his signature role.
Although [Terrence] McNally’s gay bona fides are beyond question, he resists being labeled a “gay playwright.”
These two books on overlapping topics are a pleasure to hold and to look at. Memories of the Revolution is a standard-sized paperback with a collection of photos in the center, and The Only Way Home Is through the Show is a large paperback art book, lavishly illustrated throughout.