The Naughtiest Victorian
Padlock IconThis article is only a portion of the full article. If you are already a premium subscriber please login. If you are not a premium subscriber, please subscribe for access to all of our content.

0
Published in: November-December 2006 issue.

 

Love RevealedLove Revealed: Simeon Solomon and the Pre-Raphaelites
Traveling exhibit, 2006
Catalog by curator Colin Cruise
Merrill.  192 pages, $49.95

 

SIMEON SOLOMON, a gay, Jewish Pre-Raphaelite painter of the 19th century, has figured prominently in most studies of gay male painting, and there has been an upsurge in scholarly interest of late. However, it is still fair to say that his life story eclipses his artistic achievement. No wonder: in 1874, Solomon was among the first victims of a spate of high-profile prosecutions of gay men in London, convicted of “gross indecency.” Hence James Smalls, in Homosexuality in Art (2003), in comparing Solomon with Thomas Eakins and his English follower Henry Scott Tuke, writes: “The label ‘homosexual’ can be more assuredly applied to the most ‘out’ of 19th-century artists, Simeon Solomon.” For art historians interested in the representation of same-sex desire, Solomon’s transparency comes as welcome relief after the necessary circumspection concerning Eakins, Girodet, Flandrin—in fact, just about everyone after Caravaggio.

To continue reading this article, please LOGIN or SUBSCRIBE

Share