Butterfly by David Henry Hwang At the Cort Theatre, New York City THE BROADWAY revival of David Henry Hwang’s M. Butterfly comes at a propitious moment: the Imperialist American project is once again ripe for re-examination. Issues of gender and assumed male sexual privilege are headline news, and misapprehensions about race shake the […]
IF THEATER is a temporary rearrangement of life to spark discovery, the musical Fun Home—the touring Broadway production is currently playing at the Boston Opera House—exceeds requirements, not only yielding insights but whipping up exuberance out of anguished chaos in the process.
“Truman is magic” says an awestruck Andy Warhol a couple of times in the course of Warhol/Capote, a ninety-minute play having its world premiere in Cambridge Mass. this fall. Stephen Spinella (Warhol) and Dan Butler (Capote) have captured each man’s unique vocal styles and body language, and their personae come across the stage […]
Indecent A play by Paula Vogel Directed by Rebecca Taichman Cort Theatre, NYC PAULA VOGEL, the Pulitzer-prize winning dramatist of How I Learned to Drive, has again collaborated with director Rebecca Taichman in Indecent. Taichman, who just won the 2017 Tony for best direction of a play, is billed as “co-creator” of Indecent, having […]
Afterglow is based in part on S. Asher Gelman’s own experience with an extra-marital relationship, shows that he can write strong individual scenes for his actors that have the ring of truth.
In keeping with its name, Gently Down the Stream proceeds at a leisurely pace, but Gabriel Ebert’s hyperactive Rufus keeps the emotional narrative percolating. In the latter third of the play, the arrival of Harry as an unguarded, naïve artist seems to bring us right up to the present. But …
WILLIAM FINN’S FALSETTOS, the AIDS-era musical now revived on Broadway, may be viewed by some as an odd period piece, by others as an operatic pastiche, a manipulative emotion-fest, or a stirring work of historical reconstruction. What may determine your response to the play—which shifts from 1979 to 1981 between two acts—is your willingness to […]
Straight. A play by Scott Elmegreen and Drew Fornarola. Directed by Andy Sandberg. At the Acorn Theatre, NYC. THE SITUATION that confronts the central character of Straight could not be more straightforward, as it were, bordering as it does on cliché: Ben (played by Jake Epstein) is a man whose primary attraction is […]
Dada Woof Papa Hot A play by Peter Parnell Directed by Scott Ellis At the Lincoln Center Theater IN OUR AGE of same-sex marriage and parenting, a play titled Dada Woof Papa Hot seems sure to tap into the GLBT zeitgeist. Playwright Peter Parnell, as if to pick up where Terrence McNally left […]
Editor’s Note: Last weekend was the annual Tennessee Williams festival in Provincetown, a tour de force of plays by America’s greatest playwright. The theme this year was “Tennessee Williams’ Circle of Friends,” and the festival included works by playwrights that Williams knew and admired, notably William Inge, Jane Bowles, and Yukio Mishima. Following is a […]