HE WAS NO ORDINARY JOE: during his short but meteoric career as the baddest queer of the postwar British stage, Joe Orton (1933–1967) was getting it both ways. A working-class rebel and an ex-convict, he rubbed elbows with London’s fashionable circle of closeted aristocrats and theatrical big boys. But while the likes of Noel […]
Issues Archives: Dramatic Moments
May – June, 2007
Erzulie’s Skirt by Ana-Maurine Lara RedBone Press. 242 pages, $15. SET IN THE DOMINICAN REPUBLIC, beginning some time after the dictator Trujillo came to power in1930, this book tells the story of two women, their separate childhoods, and their lives together both in the country and in the city of Santa Domingo. The […]
I first discovered the 1928 lesbian novel The Well of Loneliness when I was growing up in my academic parents’ house full of books. I became aware that this book had been banned in England, and I believed this was because the English legal system of the time still enforced Victorian morality, unlike the legal system in the U.S., where I was growing up “free.” I didn’t read the novel again until I was a fifty-year-old English instructor in Canada, looking for something new to say about it. I was amazed at how much the book seemed to have changed.
DURING THE TWO DECADES between 1967 and 1987, dramatist, actor, and agent provocateur Charles Ludlam would rebelliously change theatre in America for the next generation. As the founder of the Ridiculous Theatrical Company and the author of 29 raucous and highly entertaining plays, Ludlam quite literally became the “belle of the ball” of the West Village countercultural theatre scene during this period.
In his latest book, Michael Lucey, who has already written about same-sex issues in Balzac and Gide, examines very carefully how three French citizens involved with same-sex desire-Colette, Gide, and Proust-took advantage of the newness and fluidity of the concept of homosexuality to advance his or her own unique viewpoint over competing ones.
CHICAGO’s TRAP DOOR THEATRE opened its 2006-07 season with a production of Rainer Werner Fassbinder’s play The Bitter Tears of Petra von Kant. The play, written in 1971, and made into a film the next year with Fassbinder as director, tells a story of a famous fashion designer from the title who falls for the first time in her life for a woman, young, pretty Karin, and experiences unknown feelings that, at the end of the play, turn her into a changed woman. The play is about a lesbian love affair’s dynamics and the lessons learned by the characters and the audience alike.
35 Cents by Matty Lee Suspect Thoughts Press. 205 pages, $16.95 IN THE WAKE of the recent scandal surrounding the popular yet fraudulent gay author JT LeRoy—not to mention the Oprah Winfrey-fueled outrage over James Frey’s fabricated tale of drug addiction, A Million Little Pieces (2005)—the question of truth and authenticity in a […]
THERE’S SOMETHING RAPTUROUS about watching fabric spin so fast that discrete shapes dissolve into the blurred trails of after-image. Even a few seconds of watching a gifted flag dancer are enough to flip a switch in your mind, unhooking part of your consciousness; it’s the outer border of trance. Born about thirty years ago […]
Glances Backward: An Anthology of American Homosexual Writing, 1830-1920 by James Gifford Broadview Press. 385 pages, $22.95 (paper) THANKS TO THE INTERNET, we can now go to http://books.google.com and find the full text, cover to cover, of such proto-gay novels as Shirley Everton Johnson’s 1902 The Cult of the Purple Rose, Bayard Taylor’s […]
The Case Is Far from Closed HISTORIANS Bill Percy and Lewis Gannett had an article called “Lincoln, Sex, and the Scholars” in The Gay & Lesbian Review last year [March-April 2006]—another part of the ongoing effort by Bill and others to annoy heterosexuals by cheekily suggesting that some American idols were actually on our team. […]