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By Bridgette M. Redman

Who knows a person best: A spouse,  a parent, a lover? How can people who all claim to have the greatest closeness to someone have totally different perceptions of who that person is?

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AIDS nostalgia fuels Better Davis and Other Stories. This is not to mean a sentimental longing for the return of a time when the epidemic cusped in the early 80s, but rather a writer’s skillful reconstruction of the painful appearance of the scourge forty years ago …

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By Richard Schneider

From The G&LR‘s BTW column in its Holiday Issue (Nov-Dec).

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Here's My Story View all

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By Kristina Ebanez

I’ve left my hometown in Hawai’i three times. The first time was when I was fifteen. The second move was when I was eighteen. The last and hopefully final time was when I was twenty-six years old. Each time I left, I got asked the same question: “Why did you leave?”

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By Wayne Hoffman

I haven’t missed a Bear Week since then. I go dancing every day, shirtless. One week every year. It recharges me when my self-confidence is running low.

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Book Reviews

How ‘Gender’ Became a Scare Word

  WHO’S AFRAID OF GENDER? by Judith Butler Farrar, Straus and Giroux 320 pages, $30.   IN THE INTRODUCTION to her new book, Judith Butler recalls an encounter with a woman she met after giving a talk in Switzerland. The woman approached Butler and told her that she “prays for her.” Butler is in needMore

A Power Couple in a Time of War

At fewer than ninety pages, Rowe’s Liberated merely scratches the surface of Cahun’s life and art. But perhaps that’s appropriate as Cahun’s art often dealt with surfaces: poses, masks, assumed or discarded identities. The book pays tribute to Cahun’s Surrealistic photography and æsthetics, her aggressive anti-fascism, and her enduring, indestructible love for Marcel Moore.

The Suits in Garbo’s Closet

A new biography, Ideal Beauty: The Life and Times of Greta GarboI, by feminist historian Lois Banner—who’s the cofounder of the Berkshire Conference of Women Historians—presents Greta Louisa Gustafson (1905–1990) as Dr. Jekyll and Ms. Hyde. So much has been written about the actress that the Hollywood dream factory exploited as a marketable commodity during the 1920s and ’30s, when Garbo was billed as “the most beautiful woman in the world,” that it’s a challenge to say something new. Banner’s book offers a feminist rehash of Garbo’s childhood and reprises the well-known struggles on her quest for cinematic fame and financial freedom.

Deep History of the Culture Wars

IN THE SUMMER OF 1997, I gave birth to two beautiful drag babies on Pier 54 in Manhattan. We were at Wigstock, the raucous drag festival. Like many mothers, I neglected their development, but they have since grown into upstanding, fierce queens. Hundreds of drag mamas, whom Elyssa Maxx Goodman lovingly documents in Glitter and Concrete: A Cultural History of Drag in New York City, were far more committed to their drag careers and to nurturing newcomers to the culture of drag than was I.

A Poet of the Dying Years

Saint was a founding member of the Blackheart Collective, and published numerous collections of his own poetry, editing two anthologies, notably The Road Before Us: 100 Black Gay Poets (1991). Sacred Spells is a collection of exemplary poems, essays, stories, plays, and even some performance pieces.

With Opera, Look for the ‘Sexual Complexity’

The moral became that “homoerotic attachments are acceptable, provided they manifest within the boundaries of socially appropriate behaviour,” states Andrew Sutherland in Queer Opera, his survey of homoerotic elements in the history of opera.